Formed through constant chosen relocations, from Chile to South Korea to Palestine, Jordan. The work approaches form as something translated, and re-inscribed rather than an aim in itself; each series is inseparable from the place where it was worked on. Between the demanding grammar of Korean ceramics and the practice of architecture imposing a sense of proportion, formal composition, and sequence. The pieces carry specific places, while architecture abstracts them from it. Works create fictional narratives instead of resolving this conflict.