A corkscrew cut from a vine root, next to a chair by Dudouyt
Twelve objects, no hierarchy. Monica Monaco puts a corkscrew carved out of a vine root on the same footing as a low chair attributed to Charles Dudouyt, and that levelling is the point. The stated rule is that harmony comes from mixing the ordinary with the extraordinary, and that a signature matters less than what a piece does in a room. In practice, the selection is held together by surfaces: patinated wood, hammered or welded iron, woven cane and rush, bamboo.
