The work of Jérémie St-Onge attests to the ambivalence between functional objects and works of art. The uninhibited approach to his medium allows the artist to deepen the primary meaning of form. Following production, a study of line and colour reveals pictorial, even romantic, compositions. By adopting certain forms and concepts from ceramics and archaeological glass, his practice explores the role of the material that is blown glass in our spaces. These timeless pieces celebrate this ancient technique.