{"title":"Sahi","description":"Sahi is a Paris-based gallery and creative studio.\n\nThe gallery focuses on 20th-century furniture \u0026amp; decorative arts from established ateliers and designers, with a research-driven curatorial approach. \n\nFounded by Deniz Basman - formerly Special Projects Director and Furniture \u0026amp; Art Installations Designer in fashion - Sahi is the convergence point of her many disciplines: design, architecture, curation \u0026amp; creative direction. ","products":[{"product_id":"maison-puiforcat-silver-plated-tazza-after-jean-puiforcat-art-deco-style-france-c-1990","title":"Maison Puiforcat, Silver-Plated Tazza, France, c.1990","description":"\u003cp\u003eA silver-plated tazza by Maison Puiforcat, France, circa 1990. The piece is a house edition produced in silver-plate following Jean Puiforcat's original solid-silver autograph design of circa 1930, with the underside stamped PUIFORCAT FRANCE and the EP (electroplate) cartouche identifying the silver-plated production. Jean Puiforcat (1897-1945) was the leading French Art Deco silversmith of the interwar period, known for his reduction of decorative-silver vocabulary to geometric volumes and faceted ornament. The original solid-silver tazza in this design - coupe raised on a stepped pyramidal base with a faceted faux-lapis stem - exemplifies Puiforcat's distinctive synthesis of Cubist geometry with the lapidary traditions of French luxury silversmithing. A\u003c\/p\u003e\n\u003cp\u003efter Puiforcat's death, Maison Puiforcat has continued to produce silver-plate house editions of selected designs from his autograph oeuvre, of which this tazza is one example. The coupe is broad and shallow, raised on the characteristic stepped silver-plate base with the faceted blue faux-lapis composition glass stem set as the central jewel-like element. Dimensions: Dm 24.2 × H 9 cm. \u003c\/p\u003e","brand":"Sahi","offers":[{"title":"Default Title","offer_id":57033668165897,"sku":null,"price":990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/5290\/4457\/files\/blpz21opvorhyei0glfl.jpg?v=1777739765"},{"product_id":"sylvia-stave-for-c-g-hallberg-metal-amphora-vase-art-deco-sweden-1936","title":"Sylvia Stave for C.G. Hallberg, Metal Amphora Vase, Art Deco, Sweden, 1936","description":"\u003cp\u003eA pewter amphora vase produced by C.G. Hallberg of Stockholm, attributed to Sylvia Stave (1908-1994) on the basis of her tenure as the firm's artistic director, 1931-1939. The piece is stamped with the Hallberg crowned CGH monogram, the Swedish tre kronor (three-crown) sterling-equivalent control mark for pewter, and the date code K8, identifying production in 1936. Stave was one of the most distinctive Swedish industrial designers of the 1930s and one of the few women working in metalsmithing at scale in this period. Her output for Hallberg includes both silver and pewter pieces in a vocabulary that bridged the late functionalist sensibility of Swedish Grace with the more reduced forms of mid-1930s Modernism. Her career was cut short by her marriage and emigration to France in 1939, after which she largely withdrew from professional design.\u003c\/p\u003e\n\u003cp\u003e The piece is constructed in hand-finished cast pewter, distinguishable from spun production by the slight surface variations in the body wall and handle joinery. The amphora form, with twin opposing handles raised from the shoulder of the body, references classical metalwork vocabulary that recurred in Swedish 1930s decorative production. Dimensions: H 21.5 × Dm ~13 cm. Width handle to handle 15.5 cm. Materials: Hand-finished cast pewter. Condition: Good - soft matte unpolished patina; multiple bumps and surface scratches consistent with ninety-year-old pewter.\u003c\/p\u003e","brand":"Sahi","offers":[{"title":"Default Title","offer_id":57033668231433,"sku":null,"price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/5290\/4457\/files\/hcjztdke6i7qqfudcnoq.jpg?v=1777740740"},{"product_id":"pauly-co-for-c-v-m-soffiato-glass-vase-murano-italy-c-1935","title":"Pauly \u0026 Co for C.V.M., Soffiato Glass Vase, Murano, Italy, c. 1935","description":"A vase in light amber blown glass with optically ribbed soffiato decoration, executed by Compagnia di Venezia e Murano (C.V.M.) and distributed by Pauly \u0026amp; Co, the Venetian glass merchant on Piazza San Marco, circa 1935. The piece was originally fitted with the Pauly \u0026amp; Co distribution label and the handwritten model number 25 92620.\n\nThe soffiato technique - literally \"blown\" - describes the Murano glassmaking process in which the molten glass is blown into a ribbed mould, producing the regular vertical ribbing visible on the bowl. The piece is in the stile veneziano neoclassical revival vocabulary that dominated Murano production in the interwar period, with the trumpet-form bowl raised on a baluster stem and disc foot.\n\nDimensions: H 40 cm.\nMaterials: Light amber blown glass, optically ribbed (soffiato).\nCondition: Very good - thin walls preserved without damage; the original Pauly \u0026amp; Co paper label is no longer physically attached but is recorded in the auction provenance.","brand":"Sahi","offers":[{"title":"Default Title","offer_id":57033668690185,"sku":null,"price":790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/5290\/4457\/files\/hyun9odkjrj0fo7n7tyd.jpg?v=1777740787"},{"product_id":"pablo-picasso-ovale-a-loeil-a-a-r-623-france-1971-ceramic","title":"Pablo Picasso, Ovale à l'Oeil A (A.R. 623), France, 1971, Ceramic","description":"\u003cp\u003eAn editioned terracotta tile by Pablo Picasso (1881-1973), produced at Madoura, Vallauris, France. The work is titled Ovale à l'Oeil A and is referenced as A.R. 623 in Alain Ramié's catalogue raisonné Picasso, Catalogue de l'œuvre céramique édité, 1947-1971 (Madoura, Vallauris, 1988), with the model number J.164 in Madoura's own production records. The tile is numbered 15\/500 from the edition. The verso retains the impressed POINÇON ORIGINAL DE PICASSO stamp and the MADOURA cachet, together with the handwritten edition number and Madoura model reference.\u003c\/p\u003e\n\u003cp\u003eThe piece is presented in a later removable plexiglass protective frame, which can be removed without affecting the tile. The Madoura editions, produced in collaboration with Suzanne and Georges Ramié between 1947 and 1971, represent one of the most extensive bodies of editioned ceramic work by any twentieth-century artist. The Ovale à l'Oeil series reduces the eye motif - a recurring element in Picasso's late graphic and ceramic vocabulary - to a single incised oval form on a square ground. Dimensions: Tile 15 × 15 cm. Later plexiglass frame 20 × 20 cm. Materials: Terracotta with incised decoration; later plexiglass protective frame (removable). Condition: Very good - no chips, cracks, or restoration.\u003c\/p\u003e","brand":"Sahi","offers":[{"title":"Default Title","offer_id":57033668788489,"sku":null,"price":6300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/5290\/4457\/files\/e2a565iydgoet2rhfgk4.jpg?v=1777740836"},{"product_id":"rough-1-folding-stool-steel-and-leather-danish-modernist-late-20th-century","title":"Rough #1 Folding Stool, Steel and Leather, Danish Modernist, Late 20th Century","description":"A folding stool in brushed steel and near-black leather, Danish, second half of the 20th century. The piece sits within the Danish modernist campaign-stool tradition: a regional reworking of the X-frame folding-stool typology in industrial materials, descended through the work of Kaare Klint and Mogens Koch and most prominently realised in Poul Kjærholm's PK91 of 1961 for E. Kold Christensen. The Rough #1 is a parallel design within this idiom, neither attributed to nor produced by Kjærholm.\n\nThe cross-braced brushed-steel frame supports a folding sling seat in black leather, the leather under tension serving as the seating surface. The model is recorded in Scandinavian auction archives - most notably at Bukowskis, Stockholm - as the Rough #1 stool attributed to Michael Christensen. The piece carries no manufacturer mark or designer signature, and is offered without formal attribution.\n\nDimensions: H 34.5 (seat height, extended) × L 60 × W 40 cm.\nMaterials: Brushed steel, black leather (near-leather composite).\nCondition: Good - light patina to the brushed-steel frame consistent with age; sling seat supple and intact; surface creases on the leather.","brand":"Sahi","offers":[{"title":"Default Title","offer_id":57033669640457,"sku":null,"price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/5290\/4457\/files\/adveotcgeva6fauzh85x.jpg?v=1777740890"},{"product_id":"curule-stool-art-deco-style-varnished-wood-late-20th-century-france","title":"Curule Stool, Art Deco Style, Varnished Wood, Late 20th Century, France","description":"A French Art Deco-style curule stool in varnished hardwood, late 20th century. The piece is constructed as a tiered column on a stepped plinth base, the saddle-form seat carried on a quartet of vertical members joined by a recessed central element. The vocabulary references the formal language of Pierre Chareau and Maison Jansen, though the piece bears no maker's mark, label, or signature, and is offered without attribution.\n\nProvenance: a private Parisian collection of paintings, furniture, and objets d'art, dispersed at Hôtel Drouot.\n\nDimensions: H 52 × W 61 × D 31 cm.\nMaterials: Varnished hardwood.\nCondition: Very good - wear consistent with age and use.","brand":"Sahi","offers":[{"title":"Default Title","offer_id":57033670066441,"sku":null,"price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/5290\/4457\/files\/imncrqdnzvy6fyqkope2.jpg?v=1777740964"}],"url":"https:\/\/oblist.com\/collections\/sahi.oembed","provider":"The Oblist","version":"1.0","type":"link"}